Digital Rendering series | jonesyartatl.com

When I was asked to live paint at Fallen Arrows during the Ultimate Pizza Party event, I decided to do something that had references to their brand name. It just made sense because it’s their parking lot wall. This freehand mural is based off the fable “the eagle and the arrow”, but I replaced the eagle in the story with one of my crows.

The fable says:
AN EAGLE was soaring through the air when suddenly it heard the whizz of an Arrow, and felt itself wounded to death. Slowly it fluttered down to the earth, with its life-blood pouring out of it. Looking down upon the Arrow with which it had been pierced, it found that the haft of the Arrow had been feathered with one of its own plumes. “Alas!” it cried, as it died, “WE OFTEN GIVE OUR ENEMIES THE MEANS FOR OUR OWN DESTRUCTION.”

If you have any questions or would like to speak with Jonesy about commissioning a mural,

please email for rates and consultation: info@jonesyartatl.com

When I was asked to live paint at Fallen Arrows during the Ultimate Pizza Party event, I decided to do something that had references to their brand name. It just made sense because it’s their parking lot wall. This freehand mural is based off the fable “the eagle and the arrow”, but I replaced the eagle in the story with one of my crows.

The fable says:
AN EAGLE was soaring through the air when suddenly it heard the whizz of an Arrow, and felt itself wounded to death. Slowly it fluttered down to the earth, with its life-blood pouring out of it. Looking down upon the Arrow with which it had been pierced, it found that the haft of the Arrow had been feathered with one of its own plumes. “Alas!” it cried, as it died, “WE OFTEN GIVE OUR ENEMIES THE MEANS FOR OUR OWN DESTRUCTION.”

If you have any questions or would like to speak with Jonesy about commissioning a mural,

please email for rates and consultation: info@jonesyartatl.com

Jonesy Art Atl

figurative art & murals

Digital Rendering series

This series focuses showcases the preliminary work I do to create most of my reference images for both paintings and mural work. Much of my process is hidden in plan site and I have decided that it is important to deconstruct and share how I get from A to Z. As a multidisciplinary artist I utilize any medium and all of my skill sets to create. One of those is photography and graphic manipulation and retouch. Over 2 decades of working in photography and photoshop have provided a tool I often use in the background of my work. Some of these digital renderings also fall under other series within this larger body of work. Specifically "Crow and the Thread" and "SPECTRUM". Some of these digital renderings are photographic manipulation of actual photographs I have taken, some are multi-layered process where I have created a photographic rendering for reference, created an actual painting from it and took process shots which were then brought back into the computer to be digitally collaged again for the final piece. "The Embrace" is an example of this. I appreciate creating complexities in processing that are not known to the viewer, but felt energetically in the work.

Please contact me directly for purchases, commissions, and gallery representation: jonesyartatl@gmail.com

MIRROR

digital rendering from photographs of a Pied Crow and woman

-available in paper and archival canvas-

MIRRORS

digital rendering from photographs of a Pied Crow and woman

-available in paper and archival canvas-

Hold

digital rendering from photographs of a Pied Crow and woman

-available in paper and archival canvas-

The Embrace

Digital rendering to expand the meaning of original painting " Hold Me"

-available in limited edition series 12" x 12" on canvas (only 10)-

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